The taster involves attending the Anglican Studies weekend at Hiruharama/Jerusalem on the Whanganui River from Friday 31 August to Sunday 2 September. Continue reading

There is a companion booklet with writings from Baxter, Aubert, Mere Hohepa, Jessie Munro and others as well as Stoneman's own writing.

Stoneman, who is based in Patea, has visited Hiruharama a number of times and her most recent visits have been as an informal artist in residence.

"It is a unique and special place," she says. "I feel different when I am there - my thoughts are clearer, not so restless. Perceptions around space and time change. The air is different."

Stoneman says she relished the stillness and calm of Jerusalem and it was not an easy place to leave.

Stoneman is not Catholic but has a "thing about Mary" which she says was likely inspired by time spent with her Catholic grandparents.

She said they took her to church a few times when she was a child. She remembers her fascination with the ritual and ceremony, the scale and beauty of the church, the symbols, incense, intense light and ... "Mary everywhere.

"One Christmas I had to walk the aisle between pews to kneel beside the manger and I was uncomfortable with the overdressed church children. The songs all seemed to have the same tune. I just zoned out; staring at Mary."

Stoneman recently inherited her grandmother's rosary beads. They are cut glass, a dusty wine colour.

She used them to create the cyantype series Luminous Mysteries which she features in her exhibition... "exposed by the milky winter light at noon, cast through the convent sash windows.

"I got carried away with the repetition and timing the light, an art of meditation, gently calming while allowing the mind to wander, or be still."

View some of the works in the exhibition

Source

• Wanganui Chronicle
• NZPoetryShelf
• Space Gallery

"How Far is Heaven" which is being shown as part of the New Zealand International Film Festival was shot by by Chris Pryor and Miriam Smith shot over a year while they were living at Jerusalem.

It is first and foremost a rapt pictorial response to its beautiful setting through four seasons. Its recurrent subject is whether three Pakeha nuns, kaitiaki of the church and convent founded in the 1880s by Suzanne Aubert, are serving any useful social purpose there in 2011.

We meet the sisters, 94 year old Anna Maria, splitting the fire wood, Sue making jam and preserves, and Margaret Mary, volunteer-teaching at the local school.

Magaret Mary is diligent, patient and well aware that she mightn't know half of what's going on, she connects most readily with the kids when she teaches music.

But the taniwha under the bridge exercises a stronger hold on young imaginations in Jerusalem than the Christmas Nativity play.

Before the showing on Saturday the film makers spoke about the film and Sister Sue said an opening prayer.

View Trailer

Source:

• New Zealand Film Festival
• Image: New Zealand Film Festival